28 September 2014

Liberty Boxy Pouch

Liberty Triangle Boxy Pouch
Liberty and Linen boxy pouch. 

In between my EPP project and working on the baby quilt for my old roommate I had to sneak in a project for myself. I thought I was sick of my Liberty scraps, but I saw them peaking out of that scrap bucket and just had to play around with them. I decided to pair the scraps with some linen, possibly essex linen, but I'm not sure. I made a whole bunch of half square triangles using the last of my leftover scrappy trip squares and the linen. Then, I machine quilted diagonal lines roughly half an inch apart, roughly parallel to the diagonals in the triangles. Note my aversion to precision.

Liberty Triangle Boxy Pouch
Quilted triangles. Love the resulting texture, both between textiles and with the added quilting. 

I ended up compiling different parts of different tutorials to make this pouch. One of my favorite parts is the zipper. I bought some metal zippers off of etsy, and I had some leather scraps from a friend. This has encouraged me to obsess over leather zipper pulls, although making them is another story.

Liberty Triangle Boxy Pouch
Zipper pull. I can make it better!

I like how quilting the outer panels adds enough structure to the bag that it can stand on its own, without adding so much bulk that all the seams are impossible to sew without breaking a needle (no needles lost during the making of this bag). I did end up adding extra strips of fabric along the top of my panels before quilting because I realized there was no way I'd get a decent sized bag otherwise. I like the effect, although I wish I'd been able to cut it straighter. The panels warped a little bit during the quilting process.


Liberty Triangle Boxy Pouch
All Liberty, all the time. 

The interior lining is a magenta pink linen. It was not fun to work with. Considering how many seams I had to unpick and resew, linen was a terrible choice. There was so much fraying! (Lesson noted, but probably not learned.)  

Liberty Triangle Boxy Pouch
Close up of the lining, and a little zipper detail. 

For my next boxy pouch, I've got some great NEON fabric. I've been mulling over some construction ideas for a while. I'm hoping I'll get the chance to MAKE it soon, and then I might even SHARE it! In the meantime, I'll be binding that baby quilt!

24 September 2014

How I English Paper Piece - Part 2: Joining Hexies

I'm moving right along with my paper piecing project. I thought I had all the hexagons basted, but turns out I think I need more than I initially calculated to make the panels bigger for the project I've got in mind. In the meantime, I thought I'd show how I attach the hexagons, and then how I attach the rows to make a panel. Plus I just painted my nails, so I figured I should take advantage of them before they get all chipped and I don't want to show them in the pictures!

When I connect the hexagons I use a ladder stitch. The thread moves back and forth between the fabrics, creating a ladder shape. Because the stitches are concealed by the fabric creases it makes the join nearly invisible.

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Look at the 'ladder' the thread makes between the two hexagons!

I think I just got ahead of myself. First I take two of my basted hexagons.

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2 basted hexagons. 
Next, I place them right sides together, aligning the edge I want to connect them along. I insert a needle with a knotted thread between the fabric and the basting paper, exiting at my starting point, which, for me, is the right corner (I sew from right to left and I'm right handed. I have no idea if this is normal, this is just what feels most comfortable to me, and you should find what is comfortable to you).

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My blurry starting point. I swiveled them a bit so you can see they are right sides together.
When sewing you'll see they are lined up right next to each other. 

For the first stitch I insert the needle into the other hexagon, through the right corner and run it along the fold about 1/4 or 1/8th of an inch. These are 1/2 inch hexagons, so I'm using smaller stitches. For a larger hexagon you could use a larger stitch.

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Insert needle and run it along the folded fabric a little ways
before coming out of the same fabric. 

For the next stitch, you want to do the same thing back on that first hexagon. Enter at a parallel point in the new hexagon from where you left the old one. I've highlighted this in the picture below. You can see the exit point illustrated with the finger in the image, and the entering point illustrated with the pink and blue arrow.

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finger = exiting old stitch; triangles = entering new stitch

You will continue in this fashion until you reach the end of the side. For the final stitch I just do a back stitch in whichever hexagon I DID NOT put the last ladder stitch. Then I knot and cut the thread and start the process over again adding the next hexagon.

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Sewing the hexagons together. 

I'm sewing my hexagons into rows, and then sewing the rows together. I'll show how I do that in my next tutorial post.

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Conjoined hexagons!


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Rows of hexagons. I like how graphic Arizona looks using this method. 

18 September 2014

How I English Paper Piece - Part 1: Basting

I've been working my way towards a new glasses case for a little while. I had one more kiss clasp left over from the three I originally bought, and I had purchased some English Paper Piecing (EPP) templates on a whim. Usually I would be true to my frugal self, and print out and hand cut templates if I wanted to try a new style of sewing, but I had just made a good deal, celebrated with a drink and ended up at a quilting shop...you know what happens when you end up at a quilting shop after a drink or two, right? English Paper Piecing templates on a whim!

It took me a while to decide how to use them. I did, after all, buy a rather small size (they were so cute!) measuring 1/2 inch along each side. I ended up putting the templates aside for a bit. Later, I purchased a fat quarter bundle of Arizona, April Rhodes' limited edition collection, because it was beautiful, and it was a LIMITED EDITION. That's basically code for BUY IT NOW! Determined not to let this new acquisition languish in my collection I thought it would be fun to see how all the geometric elements of the collection looked broken down a bit, and have decided that these paper pieced hexagons will be the perfect way to create a panel for my glasses case.

So, here I am showing you some of my process. I'd love to do this more with quilts, but my process tends to be so organic that it's hard to keep track of what I do! This is my first attempt at a good chronicle of my work, and I hope you enjoy following along.


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Arizona hexagons, front and back. 

Everyone has a different method of EPPing, and I thought I'd start by sharing mine. With pictures. If you like it, try it. If not, there are plenty of other tutorials out there for you, and I'm sure you'll find one that fits!

For my 1/2 inch templates I initially cut 1.5" squares from each of the fabrics I was going to be using.


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1.5" square of fabric

Next I trimmed the corners off. I didn't cut much, just about 1/4" from each corner.


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Trimmed fabric. 

You can see here that the fabric better fits the template now. Notice that I didn't actually trim the fabric to a hexagon, I just trimmed off some of the excess. 


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Fabric with template. 

The next step I take is to finger press two of the opposite sides of the fabric. These sides should be parallel to the template. For example, I would finger press the top and bottom sides in the picture above. This helps prevent the template from moving around while basting. Just a note, but when I first heard of finger pressing, I though all you had to do was fold the fabric over with your finger and press! Turns out, you need to fold the fabric over and run the edge of your finger (preferably using your fingernail) along the fold you want pressed, otherwise it's not nearly as effective.


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Finger pressed fabric. 

I don't like using knots, because that takes time. When you have to baste 102 little hexagons, you don't want to make 204 knots (one at the start, one at the end). What I do is run the needle through the fabric once leaving about a 1-inch tail, and then once again in the same spot. This holds the thread firmly enough in place that your basting stitches will hold. 


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First and second stitch in the same spot. 

After the initial stitches, fold the next edge of the hexagon down. Simply stitch once through the two layers of fabric. I don't go through the stiffer paper template to help prolong it's life. I mean, I may have bought them on a whim, but I want them to last a while!


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Regular running stitch around the hexagon to secure the fabric. 

Upon arriving at the last fold I repeat the same method used at the start: two stitches to secure the fabric.


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Final stitches to secure the basting threads. 

This method secures the fabric around the hexagon and prepares it for the next step: joining hexagons! It manages to secure the fabric without going through the cardboard, or making multiple knots for each template, which saves time and makes the process more economical. I've got about 25 more to go, and then I'll show you how I join my hexagons. I'm going to use a ladder stitch, which is virtually invisible, and super easy to do. 


15 September 2014

Quilt for Baby H

My old roommate had her baby! A healthy happy baby boy from the pictures! And, I've just about finished the top. I was going for an abstract beach day, to go with the estuary theme of the nursery.

Baby H Quilt
Quilt up on my living room wall! Small picture is postcard size if you're determining scale. 

I think it went a little too abstract, so I'm going to piece the back in rows with a bunch of cute prints. That way she can use whichever side she wants! My favorite part is the sun, where the curves all meet up. I think the part I don't like so much is the ocean - I should have gone a little darker with my 'foam' color. It's too close to one of the sky colors. 


Baby H Quilt
Close up of piecing. 

I made simple quarter circles and cut every block down to 6", then pieced the top together. The curved piecing was a lot simpler and faster than I thought it would be, I just used a pin at the center and one at the start and worked my way around.


Baby H Quilt
Blocks laid out - colors are off!

I had fun playing around with the blocks before I settled on the layout. I liked the feeling of this image, even though the colors are way off. Maybe I'll make a half square circle quilt...that's the curvy equivalent of a half square triangle, right? 

09 September 2014

Finished Night Music

Night Music in the Desert
Finished Quilt!

Well, I got home from that vacation and just went to town quilting. I am really attempting to minimize my works in progress, so I REALLY wanted to finish this quilt before starting on another...which I already have planned, and am motivated by the imminent due date of my old roommate's baby boy (as long as I get it to her while the baby is under 1 year it still counts, right?). Needless to say, the motivation was there, and I just had to figure out how to quilt it. I decided on a square spiral originating in the center of the quilt. Due to my aversion for marking lines it gets a little squiggly from time to time, and the crispness of the angles is off, but I think it works as a whole. I even used my walking foot guide, so these are the most even lines I've quilted so far!

Night Music in the Desert
Quilt Back

I backed the quilt in two prints I picked up that I felt really went well with the color scheme and feeling of the quilt. The one on the left is Anna Maria Horner and the one on the right is Tula Pink (not solid blue!). I forgot to add a label while I was binding, so I appliqued one on after it was all done. It's in the lower left corner, and is my typical stamped label (no close up - whoops).

Night Music in the Desert
The whole shebang. 

I designed the layout myself, and made it a row quilt. The center is made up of 12 blocks, then on each side there are two rows of 6 log cabin blocks, and the ends are flying geese. My process involved cutting all the strips for the cabins and adding in some red, yellow, and lighter blue strips in each size. As I went along I used the kona jade and black as my base colors and added in other pops randomly. I didn't get to see what it would look like until I put it up on my design wall. Regarding my design wall, I only have one when I've finally bought some batting and am about to piece a quilt top, so they are temporary fixtures in the apartment. I don't usually lay out blocks on the floor, so it's all guesswork until I get to the end. I added in some of my leftover fabrics as spacing between the rows and as a border around the quilt. I also bound the quilt in some of the scraps. I like how the quilt maintains the feeling of colorful chaos, but there are still places where your eye can rest. 

Night Music in the Desert
Quilt and end of summer flowers (not mine, I went to a park on the waterfront).

Now the quilt is resting on the couch under a cat, and I'm all set to start my next project!  

01 September 2014

Round Trip Quilts Center Block

I had a GREAT time in Honduras. I was in the Bay Islands on Roatan and Utila. So pretty, and some of the best snorkeling in the world from right off the beach! You just walk out a few yards and swim among the fish in the reef! It was a little frustrating because a lot of tourists don't respect the reef (I saw people standing on it while I was on the beach), but overall an awesome experience, and a very affordable vacation.

Well, once I got back I had a huge case of the lazies. Usually I'm busy doing several different projects for work and sewing, but for the past two weeks it was all I could do to prep for one class that I'm teaching this fall. I did have time for sewing (and I finished my Night Music in the Desert quilt - hopefully I'll post later this week!), but I just didn't feel like blogging. Now that my schedule's filling up again blogging has returned as my favorite means of procrastinating.

Right now I'm just finishing up my Round Trip Quilts center. I've got the block all done, I just need to work on filling out the notebook that will take the trip with the quilt.

Round Trip Quilts
Here's the block: Feathered Edge Star (with borders). 

My mom bought me 'A Flock of Feathered Stars' by Carolyn Cullinan McCormick, which is where I got the pattern for the center star. I love the look of feathered stars, but all the ones in the book are very dated, not made in fabrics that I would have chosen. I wanted to brighten up the star with my fabric choice, and I think I'm happy with how it turned out. I used the freezer paper method of paper piecing, which I like because I just had to trace the templates (rather than photocopying), and I could reuse the templates for each section as many times as I needed to get the required pieces. The downside (for me) is a slight loss in precision, so I lost some of my points, and some of my joints don't meet as crisply as I would have liked...but I'm fine with that. I'm finding the more improve I do the more willing I am to lose a few points - even when it's not on an improve project!

Round Trip Quilts
I wanted to make the 'feathered' portion more like a border. 
Round Trip Quilts
I got the fabric with the paper planes and boys in Innsbruck, Austria.
I like getting fabric as a souvenir - Thanks Mom!
(even though I probably could have found it in the states, too). 

I'll be attempting to keep up with all the quilts in the tab at the top of my blog, as inspired by Jennifer. And if you want to get to know the other members through their blogs, here they are:

Heather at QA Creations
Leanne at Devoted Quilter
Mary at See Mary Quilt
Christina at WIPs and Tuts
Jennifer at Never Just Jennifer
Chelsea at Patch the Giraffe